Sally Mann has returned to photographing her family, this time her husband Larry, in her newest series Proud Flesh. She is still using the wet plate collodion process. The Financial Times weekend art section gave the show an excellent and intriguing review "the hum of mortality has grown louder, the body bears the certainty of its own dissolution, and Mann claims her place as photogrpahy's pre-eminent poet of fragility." - Ariella Budick
I am going to try to fit this into my schedule. Details about the show at the Gagosian are below:
http://www.gagosian.com/exhibitions/2009-09-15_sally-mann/
Monday, October 12, 2009
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